Top RIP Gene Deitch Thank You For Entertaining Me 1924 2020 Shirt

It’s a common Top RIP Gene Deitch Thank You For Entertaining Me 1924 2020 Shirt. Anyway. Artists tend to notice things and want to share them. If we take the photograph. A medium that is infinitely popular and commonplace today more than ever. We see how poorly it performs for this. My problem with Instagram, for example, is how it seems to promote and cultivate popularity around things that are obviously fake and not in the picture — lifestyles of health, wealth, and happiness. How often do we see yoga pics on the terrace? legs on the beach? flat whites in a cafe? hands with on a steering wheel with a watch on the wrist? post-marathon pictures?

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And if that’s the case, Top RIP Gene Deitch Thank You For Entertaining Me 1924 2020 Shirt. A banana up in my own house? Of course, I could, but why couldn’t I also just hang a picture of the Mona Lisa? Of course, I could do that too. So what does it mean to own art? I am dunno. I think they’re interesting questions and I think this piece does a good job of doing that in a way that isn’t overly artsy or pretentious (despite multiple people replying to me and insisting that this is pretentious). It’s cheeky, it’s fun, it feels like a goof. I dig it. But haven’t we had these “provocative” “what-is-art” art pieces for 60 years now? Literally taking one random worthless object and calling it art and that in itself is the art?

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It’s been done for every single Top RIP Gene Deitch Thank You For Entertaining Me 1924 2020 Shirt. Doesn’t it get a bit old? There’s a lot more to it, generally. “What-is-art” was left in the dirt ages ago because it’s working under the idea that something “is art” or “isn’t art”. And people are still arguing and trying to figure out if it’s one or the other and never considering it’s a superficial discussion A lot of contemporary art want to challenge the ideas present in art where the image-of-the-thing is-the-thing or show the world in a more integrated and less separate way by blurring the lines between language and reality and objects and concepts.

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